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direct-to-fan

This tag is associated with 6 posts

The Importance Of Analytics For The Fifth Beatle

While hardly the most inspiring topic for musicians, web monitoring and analytics are becoming increasingly important for bands hoping to succeed online in the new music industry. If you’re not able to optimise your own campaigns, it’s well worth finding someone who can…

Independent Artist Spotlight: Chris Bryant

I have decided to start a (hopefully) regular feature in which I get to find out from artists themselves how they are working with the new found musical and creative freedom they are currently enjoying, at the same time sharing with you some of the great music out there to be discovered.

The first artist I have the pleasure of featuring is North Carolina singer-songwriter, Chris Bryant.

Traditional vs. Digital: Artist Management in 2010

As an observer, something like the yearly MIDEM conference in Cannes is a great way to catch an insight into the current views of those inside the music industry about what is happening right now, and how they see things changing in the future. It is often supported by fantastic panels with often conflicting views. [...]

Meet the Industry twins: 'Record' & 'Music'

Okay, so you can’t turn anywhere online at the moment when looking at the music industry without tripping over coverage and opinion on yesterday’s IFPI Digital Music Report 2010 (I notice the irony in mentioning this as I introduce you to an article of me giving coverage and opinion to the very same topic). While [...]

Fan Inclusion: A Unique Fan Experience

For me, one of the most exciting elements of a transitional music industry in which independent artists are becoming empowered is that bands are free to make their own rules and guide their own stories and careers, without being stuck in a ‘traditional’ release campaign structure.
More and more frequently I’m reading articles covering independent artists [...]

Why the difference between D2F & D2C is more than just a letter

As the industry shifts and tries to settle, the opportunities that developments in technology allow for independent artists are well documented. George Howard has written a great article briefly analysing the ‘leveling’ effect that these developments have caused.
When George mentions the changes in distribution and publicity/promotion, two phrases come to my mind, both of which [...]